PMU Pigments

How well-defined are the colors in harmony with each other, and most importantly, how do they ultimately affect the skin?
If these questions do not arise, these are pigments of the highest quality.

Coloressense + Easy Flow

For very delicate and precise drawings



EASY FLOW Color Activator

Coloressense concentrate mixed with Easy Flow leads to a hydrophilic color pigment, which suits perfect for exact hair drawings and precise contouring.

The coloressense concentrate becomes very fluent without losing its opacity.

Usage category: As a pigmentation color: 7-10 drops of the pigment, 1-2 drops Easy Flow

Coloressense Pigments

For large scaled pigmentations and shadings



Because of the highest possible pigment density, Coloressense Pigments are destined for every kind of pigmentation, you can use them pure or thinned.

Being concentrated „pure“ they are used for large scaled pigmentations, as shadings and full drawings.

Usage category: Pigmentation color: pure

Coloressense + Skin Top

For pigmentations that require a fast handpiece guidance and for pigment masks



SKIN TOP Calming Liquid

Mixed with Skin Top, the coloressense concentrate turns to an oily pigment – perfectly fitting for all pigmentations with a fast handpiece guidance (Powdery) or glossy pigmentations (Stardust Gloss).

Through the large enrichment of witch hazel extract, Skin Top appears haemostatic and regulates the lymph drainage, which smoothens the whole treatment session.

Usage category:

As pigmentation color: 10 drops pigment for 2-4 drops Skin Top
As a pigment mask: Remaining pigment for 1-2 drops Skin Top

The advantages of Goldeneye Coloressense

Quality „Made in Germany“

REACH Compliant

Continuous quality management

IT-based formulation

Hygienic and safe consistency

Precise dosing at any time

Sterile and tested several times

Uniform pigment particle size

Constant quality management

Sustainability and responsibility

Without animal testing

Vegan – 100% free of animal products

100% without heavy metals (Common ingredient in pigments, many are harmful or toxic, as they cannot be broken down in the body)

Without Nickel (pure metal, common ingredient in mineral pigments, the most common cause of contact allergy)

Without PAH (polycyclic aromatic hydrocarbons (in many pigments), slightly water-soluble, numerous PAHs have been proven to be carcinogenic)

Without NDELA (nitrosamines are a reactive product of nitrite and amines (as in proteins),  proven to have a strong carcinogenic effect)

Development, manufacturing, training and sales of cosmetic products according to ISO certificate DIN EN ISO 9001

Normal icons:
The color is suitable for pigmentation on:

Eyebrows

Lips

Eyes

Skin & breast

Transparent icons:
The color is only limited suitable for pigmentation on:

Eyebrows

Lips

Eyes

Skin & breast

Crossed out icons:
Do not use for pigmentation on:

Eyebrows

Lips

Eyes

Skin & breast

3.25 DT Delicious Toffee
2.56 OO Obviously Orange
5.25 CN Creamy Nougat
4.65 AA Amber Ambition
6.25 WB Warm Brunette
4.57 TT Terrific Terracotta
7.25 DR Dark Redwood
5.70 ST Show Time
5.55 AR Arabian Red
4.82 LB Lip Blush
4.25 AB Amazing Blond
3.62 NI Nude Invisible
5.62 CC Copacabana Cacao
4.81 LL Lavish Lips
8.25 HC Hot Chocolate
4.76 KR Kiss Royal
5.68 VB Very Berry
9.14 PB Powder Black
4.75 SL Shiny Lobster
3.24 SB Sophisticated Blond
4.88 LP Lollipop Pink
4.14 GG Glamorous Graphit
5.72 LG Love Grit
6.12 TS Taupe Spectaculaire
6.87 BA Bordeaux Addicted
8.23 EQ Ebony Queen
5.87 MR Midnight Red
5.58 NA Naturally Attractive
9.11 BB Black Beauty
2.44 SS Sunny Simpson
1.42 MB Miami Beige
0.00 WW White Wonderland

Mixing permanent make-up colours

Within a product series of Coloressense (PMU pigments) all colours may be mixed, but of course they do not have to be mixed. If your desired colour is a premade mix, it may be used on its own. For many, the restriction to just a few colours is too unimaginative in the long run, and at some point creative minds tend to make their own compositions. Often 15-20 colours are more than enough to achieve an incredibly wide range of intermediate shades. This saves a lot of money and storage costs. A mixed colour is always something individual, but also brings with it certain risks. It must be ensured that the same mixing ratio is used for all subsequent treatments. That’s why it’s important to write down which mixture you used exactly. The mix ratio should therefore be recorded and archived on the client-file card, preferably along with a colour smear.